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Are we all such helpless and inexperienced beginners with not the slightest clue on how to correct our aims or on how to draw our bowstrings right This supposedly uplifting book has depressed me amidst its poetry and beauty into a realization that I will probably never correct my own stance or let the arrow fall at the moment of highest tension , effortlessly hit any goal or even realize what the real goal isWhy is there no art in life any Isn t it all that should exist Can we please ban money and all its accouterments and live by the High Arts that might then bring some insipid meaning back to our lives A painless book to read I m just not into the Zen thing Reading this book made me realize that I never will be this type of person, I couldn t go through with the ssssssslllllllooooooooowwwwwwwww process of learning each step of something to perfection I m sure I d be a better person if I could just be in this way, but I never will, just like I will never be an Astronaut or a Fireman, and that s okey dokey because the world needs anxiously high strung neurotic people just as much as they need tranquil calm folks. Second reviewOh, wow In Britain Spring may well be here and with spring come the lambs new born, which means that Mothering Sunday is upon us view spoiler see there is a logic of sorts hide spoiler Il pub e i tiri con le freccetteDopo quattro sottolineo QUATTRO anni di esercizio quotidiano a tendere la corda, l allievo tedesco si rivolge al Sensei nipponico Questo mi spinse a chiedere al Maestro perch non ci avesse ancora spiegato come si mira Ci deve pure essere, supponevo, un rapporto tra bersaglio e punta della freccia, e cos un modo di mirare che renda possibile far centro Naturalmente c , rispose il Maestro e lei potr trovare facilmente da s l impostatura adatta Ma se anche poi ogni suo tiro colpisce il bersaglio lei non sarebbe che un virtuoso dell arco, che pu esibirsi Per l ambizioso, che conta quante volte fa centro, il bersaglio non che un povero pezzo di carta che egli fa a pezzi La mia condizione di occidentale etilico mal si coniuga con la pazienza orientale La filosofia Zen mi infastidisce, ma da sempre mi attrae L alcool la sostanza pi incompatibile con questo tipo di filosofia, una scorciatoia dannosa ed inutile che ad Oriente disprezzano Ammiro l applicazione ferrea del Maestro e la fedelt canina dell allievo, ma allo stesso tempo mi chiedo se tiri la corda per quattro anni, non che alla fine la corda si strappa Se occorrono quattro anni per passare alla fase successiva in cui finalmente si prende la mira, quanti ne occorrono per arrivare all ultimo grado della maestria, alla meta, al budda, alla pace dei sensi Talvolta mi verrebbe da pensare che gli orientali si sentano immortali, oppure che passino tutta la vita a combattere la paura di morire e nei casi pi favorevoli, una volta che ci sono riusciti, muoiano Se chiedessi ad uno dei maestri che senso abbia passare la vita a cercare di colpire il proprio bersaglio interno mentre se ne mira uno di carta, potrebbe ribattere e invece il senso di 2 pinte di birra 2 2 2 con il passar di settimane, mesi, anni Io sto sul confine fra serio e faceto, ma Eugen Herrigel era un professore di filosofia, uno seriamente interessato ad avvicinarsi allo Zen non speculativo, che prese lezioni d arco quando venne a sapere che i maestri di questa disciplina avrebbero potuto introdurlo allo Zen applicato Soltanto quando gli assicurai solennemente che un maestro che prendeva tanto sul serio il suo compito avrebbe potuto trattarmi come il suo pi giovane allievo, perch volevo apprendere quell arte non per divertimento ma per a della Grande Dottrina , mi accett come allievo Tanto distante da noi, quanto affascinante in alcuni passaggi E un libro breve che si legge in poche ore, si percepisce che abbia un senso ma ci si sente pigri ed impazienti per scoprirlo Scusate mi suona il telefono Ohil Dragone Al pub stasera Certo che s Ok Freccette alcoliche dopo il secondo giro, chi perde paga il terzo.. . Many persons had recommended this little book over the years of high school and college, it being one of the canon of the counterculture like the novels of Kurt Vonnegut, the meditations of Alan Watts or the scholarly essays of D.T Suzuki I resisted, partly because it was so popular, another herd phenomenon, and partly because it was about archery of all things But, seeing the thing and how short it was, I finally sat down and read the thing.I d read quite a bit about Zen Buddhism by this time, including the apparently much contested representations of it by the aforementioned Watts and Suzuki, so the general idea was clear enough Although archery is the instance, the point is to focus the mind body on the matter at hand and not to be distracted by extraneous concerns Since I spent and spend altogether too much time gnawing over the past or imagined futures, the attitude represented was therapeutic. .FREE DOWNLOAD ⚈ Zen in der Kunst des Bogenschießens ☽ The Path To Achieving Zen A Balance Between The Body And The Mind Is Brilliantly Explained By Professor Eugen Herrigel In This Timeless AccountThis Book Is The Result Of The Author S Six Year Quest To Learn Archery In The Hands Of Japanese Zen Masters It Is An Honest Account Of One Man S Journey To Complete Abandonment Of The Self And The Western Principles That We Use To Define Ourselves Professor Herrigel Imparts Knowledge From His Experiences And Guides The Reader Through Physical And Spiritual Lessons In A Clear And Insightful WayMastering Archery Is Not The Key To Achieving Zen, And This Is Not A Practical Guide To Archery It Is A Guide To Zen Principles And Learning And Perfect For Practitioners And Non Practitioners Alike Ever since my early college days the abstraction apparatus known as western culture seemed to me a useful but essentially flawed way of understanding our place in the world Zen, when I first met it, seemed to validate Rimbaud s derrangement of the senses and Blake s path of excess procedures It gave a method, albeit a strange, incomprehensible one, to mysticism propounded by western artists It would seem from Herrigel s book, that there is no one path to Zen and the absolute archery will do as good as any other discipline Archery, however, like swordsmanship are great metaphores for our culture, though I think archery will do just fine as an art, and it relates deeply to the goals of writing. This book is what The Inner Game of Tennis would have been if it were much shorter, less repetitive, interesting, harder to read, and told through the vehicle of one person s path to mastery of their craft With regards to that book, this one is superior in pretty much every way, almost the point where I am embarrassed to have read Inner Game first.I picked up this book on recommendation from a friend, and I was interested in how I would think of it since as a general rule I love works about mastery and usually dislike works about mysticism To put it bluntly, I was initially much interested in the Archery than I was in the Zen, and was at least tangentially curious on how these seemingly completely unrelated disciplines would intersect.But after reading it, I would almost hesitate to say this book, or even really Zen as Herrigel describes it, contains much mysticism at all Despite some of the language in this book being reverent on the unknowable, I think a lot of it might perhaps be better described as the unconscious Herrigel s journey to mastery over the art of archery is one characterized by progressively growing skilled at losing himself in the skill, in dissolving into the actions he s performing to the point where it s almost like he isn t doing anything at all His master stresses this over and over that any technical training available to Herrigel pales in comparison to the long term gain that comes from abandoning himself to the skillI learned to lose myself so effortlessly in the breathing that I sometimes had the feeling that I myself was not breathing but, strange as this may sound, was being breathed In the end, the pupil no longer knows which of the two, mind or hand, was responsible for the work This flow state, where you aren t thinking but simply doing, in conscious thought as if doing for the first time, with the training and practice doing all the heavy lifting, is the skill that Herrigel develops in his many years exploring this art This too, is where Archery finds it s intersection with Zen in the cultivation of a detached, egoless state to think without thinking, to understand without understanding, to fire an arrow without firing it These aren t riddles, although they seem like it at first glance It s shockingly literal you, as in, your conscious mind are pretty much doing nothing The arrow fires when it is time for it to be fired, and your meddling with the biomechanics will only serve to get in the way example try thinking about every single muscle movement you make while shooting a basketball and then try shooting a basketball you ll do horriblyWhat must I do, then I asked thoughtfully You must learn to wait properly And how does one learn that By letting go of yourself, leaving yourself everything yours behind you so decisively that nothing is left of you but a purposeless tension So I must become purposeless on purpose I heard myself say No pupil has ever asked me that, so I don t know the right answer And when do we begin these new exercises Wait until it is time The thing I really appreciated about this short book was how demystifying it was about Zen and how real it was about mastery Herrigel spends years on archery, hitting plateau after plateau, putting a monumental amount of work into it You can feel his frustration every time he hits a wall, how much effort that he puts into breaking past these walls, his satisfaction upon finally getting it, his confusion over what his master is asking of him, and the underlying struggle of wrapping his head around detachment This format holds a huge advantage over something like Inner Game precisely because we can try feel what he feels, struggle when he struggles, and ultimately realize that we just can t do it unless we ourselves train.The book offers some surprisingly practical advice on achieving mastery, which I think is safely generalizable to most skills Near the end, he briefly explores swordplay through the same lens which also had a great deal of interesting ideas in it Some of my favorite quotes from a practical perspective are belowWhat are you thinking of You know already that you should not grieve over bad shots learn now not to rejoice over the good ones You must free yourself from the buffetings of pleasure and pain, and learn to rise above them in easy equanimity, to rejoice as though not you but another had shot well This, too, you must practice unceasingly You cannot conceive how important it is You must collect yourselves on your way here Focus your minds on what happens in the practice hall Walk past everything without noticing it, as if there were only one thing in the world that is important and real, and that is archery let s stop talking about it and go on practicing The meditative repose in which he performs them gives him that vital loosening and equability of all his powers, that collectedness and presence of mind, without which no right work can be done Bow, arrow, goal and ego, all melt into one another, so that I can no longer separate them And even the need to separate has gone For as soon as I take the bow and shoot, everything becomes so clear and straightforward and so ridiculously simple now at last, the bowstring has cut right through you I must only warn you of one thing You have become a different person in the course of these years For this is what the art of archery means a profound and far reaching contest of the archer within himself The he tries to make the brilliance of his swordplay dependent on his own reflection, on the conscious utilization of his skill, on his fighting experience and tactics, the he inhibits the free working of the heart This, then, is what counts a lightning reaction which has no further need of conscious observation In this respect at least the pupil makes himself independent of all conscious purpose And that is a great gain Like the beginner, the swordmaster is fearless, but, unlike him, he grows daily less and less accessible to fear Overall a phenomenal read i d like to give it a 4.5 5 but since goodreads won t let me do that I ll round up to 5 Highly recommended. Books with Master and Pupil theme always work for me I can hear all the variations of this myth and enjoy them Again and again Yet, this book didn t work for me I failed to see a genuine learning in the voice of the author It was almost caricaturish Lately I have also become very sensitive to cultural appropriation, and I no longer enjoy reading books on Yog that are written by someone who can t read Sanskrit, or a book on Zen by someone who doesn t understand Japanese language Essence or what the author calls It in this book, is in roots Let the people from a culture tell their stories Let root be watered, and not fruits Please for heaven s sake, stop going to India, China, or Japan, learn a craft or about a culture , and come back to Western countries to share the knowledge If people born and raised in western countries truly want to bridge the cultural gape, they should create platform for indigenous people to tell the stories of their art and culture.